Program Notes by Lucinda Mosher, Th.D.

Scherzo Op. 45

Karl Goldmark (1839 – 1915)

This piece begins with a whisper. For about a minute-anda-half, the strings play quietly (almost spookily)—belying its name. (A scherzo is meant to be lively!) But then, the main theme bursts forth with energy that is sustained right through—to the last chord! Its composer, Karl Goldmark, though born in Hungary, is associated with the musical scene in 19th-century Vienna. He has been praised for a style that is simultaneously enthusiastic, virtuosic, and tuneful; and for his ability to exploit the entire palette of tonal colors available in a symphony orchestra. Listen for scampering strings, twittering woodwinds in various combinations, warm horn tones, and a grand statement by the full brass. In this Scherzo, some have heard hints of Mendelssohn. Indeed, hints there may be—but Goldmark’s method is his own. However, if you’re a lover of the opening of Mendelssohn’s A Midsummer Night’s Dream, you’ll almost certainly enjoy Goldmark’s Scherzo, op. 45, too!